Beginnings: Cinematography, Anthropology, and Nanook of the North
Beginnings: Cinematography, Anthropology, and Nanook of the North For the first week of my Visual Anthropology and Ethnographic Filmmaking class at CEU, we watched Nanook of the North (1922) , a silent documentary filmed and produced by Robert J. Flaherty, following the everyday lives of Nanook and his Inuit family in the Canadian Arctic in northern Quebec. Often pointed to as “the first documentary,” the film emerged in an early cinematic moment when the boundary between fiction and non-fiction was not yet settled, even as cinema was beginning to claim a privileged relationship to “reality.” Encountering it today, therefore, can be oddly fascinating, as beyond the particular story it tells about “Inuit life”, Nanook is also an important archive of a broader early twentieth-century Euro-American epistemic project to capture and visualise “social actualities”, whether via the ethnographer’s notebook or the camera’s lens. Watching it now from the perspective of a field that has spent ...